B3
Hypo-Responsive
Nine Level Bodymapping Scale
In Bodynamic Analysis we use a Bodymap as a starting point for the evaluation of the personality  of the client. It also helps us find out how they might benefit from different kinds of therapy. On the Bodymap form, which is a drawing of the human front and back sides, we make a color-coded depiction of the muscle responses of almost all the muscles of the client.
By muscle response, we mean the elasticity of each muscle, as measured by palpitation. We differentiate nine degrees of response: 4 degrees of hypo-response, 4 degrees of hyper-response, and 1 neutral response.
Each category of response is marked on the map with its own color. When finished, the Bodymap appears as a colored map, shades of red indicating hyper-responses, shades of blue indicating hypo-responses, and green indicating neutral response (see Nine Level Bodymapping Scale below). The Bodymap is a nonverbal, non-projective test, and there is no exercise that the client has to solve. It shows the different muscle-responses of the client directly, as palpatated by the therapist. The Bodymap is the Bodynamic way of doing a psychological test.
The Bodymap can be interpreted using the theoretical and empirical knowledge developed in Bodynamic Analysis. Research through many years by Lisbeth Marcher and her colleagues shows that there is a connection between the patterns of muscle responses you see in a Bodymap, and the motor development patterns and personality/ego-functions of the client. When the Bodymap is interpreted using the theory of Bodynamic Analysis, it is possible to describe the client's ego structure and his/her personality development, and to describe the way the client functions in his/her daily life.
Nine Level Bodymapping Scale
<-----------Hypo-Responsive
<---Neutral--->
Hyper-Responsive---------->
B4
B3
B2
B1
N
A1
A2
A3
A4
<---non-functional or reduced--->
<----area of resource----->
<---reduced or non-functional--->
deep
preconscious
unconscious
conscious
preconscious
deep
unconscious

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